REVIEW: Anderson’s ‘Fox’ is fantastic
Let me get this out of the way. “Fantastic Mr. Fox” is one of the best animated films I’ve ever seen. It does what all films seek to do, by creating a unique and appealing world, and populating it with a wealth of, for lack of a better term, fantastic characters.
The film is based on a book by Roald Dahl, whose works include “Charlie and the Chocolate Factory,” “The BFG” and “The Witches.” The major plot points of the film are roughly corollary to those of the novel, but the film is a Wes Anderson joint, through and through. Mr. Fox (George Clooney) is a reformed bird thief turned newspaper man, who, despite a devotion to his wife and son, yearns for the excitement of his glory days. When the Fox family moves into their new home (tree) near three prominent farms, Fox decides to embark upon one last heist.
The Fox family dynamic is altered by the arrival of Mrs. Fox’s nephew Kristofferson (Eric Anderson) who lodges in the Fox home while his father battles “double-pneumonia.” Fox’s 12-fox-year-old son, Ash (Jason Schwartzman), is jealous of Kristofferson’s talents and stature, and his father’s blatant admiration thereof. As Fox squares off against the three sinister farmers, Boggis, Bunce and Bean, and tries to hide his illicit activities from his suspicious wife (Meryl Streep), Ash struggles to outshine Kristofferson and makes his father proud.
The plot is whimsical and exciting, but as in all of Anderson’s work, what really shines are the characters. Each is beautifully animated and brought to life by wonderful voice work by a cast including Bill Murray, Adrian Brody, Owen Wilson, Willem Dafoe and Michael Gambon.
The dialogue is hip and crisp without being gimmicky, and the timing of the interactions is pitch-perfect. There are some poignant moments, as well as some that made me laugh aloud. You’ll find yourself quoting this movie for days. It’s rife with brilliant and bizarre one-liners.
Even if you’ve never seen any of Anderson’s work, including “The Royal Tenenbaums” and “Rushmore,” you’ll immediately identify his offbeat aesthetic. “Fantastic Mr. Fox” is made using stop motion animation, but Anderson’s lovable visual trademarks are all there – deliberate and methodical cinematography, vintage-style, vibrant color and prominent on-screen typography. The construction of the characters and sets is charming and novel, and every frame features a stimulating palette of color and texture.
Rounding out the experience is a raucously excellent soundtrack, featuring The Rolling Stones, The Wellington and Burl Ives. There’s even an original tune by the on-screen avatar of Jarvis Cocker. The mix of off-kilter animation and washy ‘60s rock is a pure delight.
I don’t have much in terms of summation here, guys. Every element of the “Fantastic Mr. Fox” is fantastic, and the final product is nearly without flaw. It’s poignant, funny and joyful. Simply put, it’s one of Anderson’s best. See this movie, folks. You won’t regret it.
– be.ro@aggiemail.usu.edu
Grade A