‘Prime’ captures romantic realism
It seems that fans of romantic comedies always have great difficulties deciding whether it’s better to see a fanciful romance dripping in sweetness and lacking in believability or a realistic story with coherent characters experiencing love’s ups and downs. “Prime” is one of these two types of genres that presents a stylish story about the humorous encounters of love and the boundaries that surround it. Some viewers may applaud it. Others may roll their eyes at it. This depends upon which type of romantic comedy you support: the gratifying passion or the sensible realism?
Uma Thurman (“Paycheck”) has thankfully put away her samurai swords and slinky evening gowns for a regular role as a hopeful, but nervous divorcee named Rafi who slowly sinks into the joy of a fling with a younger man. Meryl Streep (“Adaptation”) plays Thurman’s ever-so-professional therapist who encourages her to live her life in forward motion. Placed comfortably in the middle of these two established actresses is Bryan Greenberg (“The Perfect Score”). Who is Bryan Greenberg? He serves the role of Rafi’s young lover who also happens to be the son of Rafi’s therapist.
As Rafi continues to live her life in forward motion, it takes an unexpected and awkward direction when she discovers the connection between the man of her dreams and the woman of her mental well being. This is a wonderfully innovative formula that brings a pleasant uniqueness to the romantic comedy genre. Filled with great dramatic irony, tasteful romance and likeable characters, “Prime” remains very true to life. There are many moments of laughter (predictable and unpredictable) and many moments of contemplation as various social boundaries are fumbled upon during the unfolding relationship of the two lovers.
When people are in their prime (sexually, emotionally and professionally), are certain differences in age, religion, career or family important enough to create boundaries that keep us apart? These social boundaries have been discovered by plenty of people in their prime, which is why this film is such a relatable and compelling one.
Despite having a somewhat hurried ending, director Ben Younger (“Boiler Room”) presents a delightful story that takes us through an unforeseen series of events that cleverly blurs the line between personal and professional associations. Each character does their best to create a smooth performance. Thurman is fine and Greenberg holds his own but it is Streep who will be remembered most in this film. As a woman whose peaceful view of family life turns chaotic, she has once again, proven her knack for comedic flare with subtle line delivery and perfect timing.
Certain areas of the plot are clearly expected (and almost requisite for every romantic comedy today) but “Prime” actually turns out to be fun and heart-warming. This film will take you into people’s lives to witness their metamorphoses from youthful love to family quarrelling to emotional conflict and personal growth. These are all things we must experience while in our prime. And this film does it in a mature and refined manner.
Casey T. Allen is a movie critic for the Utah
Statesman. Comments can be sent to
caseyal@cc.usu.edu.