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Singer Lily Takemoto, fan favorite in local opera scene

Opera may be associated with European countries and foreign languages in many people’s minds, but there’s an active opera scene at Utah State University in which students can participate in competitions and performances. 

Lily Takemoto, a second-year student studying musical performance with an emphasis in vocal performance, specializes in opera. 

“My mom is an opera singer,” Takemoto said. “I grew up listening to her and watching her perform.” 

According to Takemoto, her mom performed a lot of choral music, which has similarities to opera. 

“I got to middle school and I started doing choir,” Takemoto said. “I then just came to the conclusion that singing was something I wanted to do.” 

Although Takemoto participated in musical theater as well, she realized her true passion and strength in singing lay in the classical. 

“I tend to feel free and just very relaxed,” Takemoto said. “It feels almost natural.” 

Takemoto won a competition in classical singing in high school and knew it was something she was passionate about. However, she didn’t always intend to go to college to study vocal performance. 

“I originally came here thinking I was going to do English education,” Takemoto said. “I really enjoy teaching, and English is one of my strongest subjects.” 

According to Takemoto, she knew she still wanted to do something with music, so she committed to the music program as another option. 

“I started my first semester and I was like, ‘No, music is what I really want to do,’” Takemoto said. “It’s what I’m most passionate about, and it’s my favorite thing.” 

The difference between English education classes and music classes is a big one, but Takemoto said she is always excited about her different classes. 

“In the voice program, every Tuesday we have a guest master class, so a guest comes and teaches,” Takemoto said. “Then every Thursday, we all rotate and take turns singing to each other. It’s good performance practice.” 

Takemoto said the set-up of the different classes for vocal performance majors has helped them feel closer to each other. 

“It’s a really great way for all of us to be supportive of each other,” Takemoto said. “I really like watching people improve and seeing how hard they’ve worked.” 

According to Takemoto, there are also opportunities for music majors with different emphases to work together. 

“I really like interacting with other musicians,” Takemoto said. “It’s super interesting to see how musicians with different instruments think about music.” 

Takemoto said the staff in the music program is also a highlight because they’re supportive of the students and encourage different forms of musical thought. 

“We all make music so differently, we all process it so differently,” Takemoto said. “I just really enjoy collaborating with everyone.” 

Takemoto recently won the award for the audience favorite at the annual USU Aria Competition. The competition was put on by the Caine College of the Arts on Feb. 12.  

The competition informed the audience on what opera is and condensed a three-hour piece to make it more accessible for the audience.

“You just sign up to compete, and you work with your vocal teacher to pick the right piece,” Takemoto said. “Whoever is judging the competition will pick the winner, and then we always do a poll for the audience favorite.”

The winner of the competition receives a $500 scholarship, and the competition is advertised as a great kicking-off point for professional performance opportunities.  

“It’s pretty stressful, especially as a woman,” Takemoto said. “There’s so many similar sounding voices in female singing.” 

Takemoto said she enjoys the atmosphere of the competition, despite the challenges. 

“I don’t necessarily shoot to win, I more focus on getting performance experience,” Takemoto said. “I also really enjoy hearing my colleagues sing.” 

Dallas Aksoy, opera theatre director at USU, has been able to work with Takemoto the past couple of years and said her own involvement in the theatre started in high school. 

“I gravitated toward theatre, first as a pianist playing for musical rehearsals,” Aksoy said. “I love being able to combine great storytelling with music onstage.” 

Aksoy said she enjoys being able to work with Takemoto in rehearsals. 

“She always comes prepared and ready to work,” Aksoy said. “She’s collaborative and quick and fun to make art with.” 

Takemoto said if she were to give any advice to her younger self, she would discourage singing outside of her range. 

“Don’t try to sing really high just because you can, because actually you can’t,” Takemoto said. “You need to pay attention to the fact that it hurts, because there’s a reason why it hurts.” 

Takemoto said some advice is to take chances and fear isn’t necessarily a bad thing, but it can hold people back from opportunities important to them.  

“I feel like a lot of people I know who think about pursuing music and then decide against it are just afraid,” Takemoto said. “I almost didn’t pursue music because I was afraid.” 

Takemoto said she was afraid of the idea of music in a collegiate environment as well as the idea of failing. 

“The environment is a lot more supportive than you go in thinking it’s going to be,” Takemoto said. “It’s so fun to see yourself progress as a musician.” 

According to Aksoy, Takemoto has the talent and dedication to do well if she chose to pursue opera beyond her college years. 

“If Lily intends to sing professionally, I definitely think it’s something she could be capable of if that’s what she wants to do with her life,” Aksoy said. 

The department is putting on an opera April 11-13 called “The Elixir of Love.” 

“It’s a comedy, and it’s modernized in English,” Takemoto said. “It’s super funny, and it’s free for all USU students.” 

For more information on the opera program and upcoming performances, visit cca.usu.edu/music/programs/opera-theatre.  

For students looking into exploring music options and programs, visit cca.usu.edu/music/. 

“It looks scary, but it’s not that scary once you’re in it,” Takemoto said. “Don’t be afraid.”